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Macbeth

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Summary

Macbeth, a brave Scottish general, meets three witches who prophesy he will become Thane of Cawdor and then King of Scotland. Spurred on by his wife, Lady Macbeth, he murders King Duncan and seizes the throne. To secure his position he orders further murders, including that of his friend Banquo, descending into tyranny and paranoia. Haunted by guilt and hallucinations, Macbeth and his wife unravel psychologically as rebellion gathers against him. Lady Macbeth dies, apparently by suicide, and Macbeth is finally killed in battle by Macduff, whose family he had slaughtered. Order is restored when Malcolm, Duncan's son, is crowned king.

Plot

Act I - the prophecy

Plot: Returning victorious from battle, Macbeth and Banquo encounter three witches who hail Macbeth as Thane of Cawdor and future king, and Banquo as father of kings. The first prophecy is immediately confirmed, planting the seed of ambition. Lady Macbeth, reading his letter, resolves to push him towards murdering King Duncan, who is coming to stay at their castle.

Act I-II - the murder of Duncan

Plot: Macbeth wavers, torn between ambition and conscience, but Lady Macbeth shames him into action by questioning his manhood. He murders Duncan in his sleep, and the couple frame the king's drunken guards. Duncan's sons, Malcolm and Donalbain, flee in fear of their own lives, inadvertently casting suspicion on themselves and allowing Macbeth to be crowned king.

Act III - the murder of Banquo

Plot: Now king, Macbeth is tormented by the prophecy that Banquo's descendants will inherit the throne. He hires murderers to kill Banquo and his son Fleance, but Fleance escapes. At a state banquet, Macbeth is driven to distraction by the ghost of Banquo, visible only to him, exposing his guilt before the assembled lords.

Act III-IV - descent into tyranny

Plot: Macbeth becomes an increasingly isolated and paranoid tyrant, ruling through fear. He visits the witches again and receives further prophecies: beware Macduff, no man born of woman can harm him, and he is safe until Birnam Wood comes to Dunsinane. Reassured, he orders the slaughter of Macduff's wife and children after learning Macduff has fled to England.

Act IV - the gathering opposition

Plot: In England, Macduff joins Malcolm, who tests Macduff's loyalty before revealing an army has been raised with English support. Macduff learns of his family's murder and vows revenge, strengthening his resolve to destroy Macbeth.

Act V - collapse and downfall

Plot: Lady Macbeth, consumed by guilt, sleepwalks and obsessively tries to wash imaginary blood from her hands before dying, likely by suicide. The English and rebel Scottish forces advance on Dunsinane, camouflaged with branches from Birnam Wood, fulfilling the prophecy. Macbeth, learning Macduff was 'from his mother's womb untimely ripped' and so not technically born of woman, is killed by him in single combat, and Malcolm is proclaimed king.

Characters

Macbeth

Who: a Scottish general, later Thane of Cawdor and King of Scotland

Traits: initially brave and loyal, but ambitious and increasingly ruthless; prone to guilt, imagination and paranoia once he begins to act against his conscience

In the work: rises from honoured soldier to murderous tyrant through unchecked ambition, loses his humanity and his wife, and dies in battle, defeated and despised

Lady Macbeth

Who: Macbeth's wife, who becomes Queen of Scotland

Traits: ruthlessly ambitious and manipulative at first, calling on spirits to 'unsex' her and strip her of feminine weakness; later overwhelmed by guilt

In the work: drives her husband to murder Duncan but is gradually destroyed by conscience, sleepwalking and reliving the crime before dying, likely by suicide

Banquo

Who: a Scottish general and Macbeth's friend, fellow recipient of the witches' prophecy

Traits: honourable and cautious, suspicious of the witches' intentions, unlike Macbeth he resists acting on ambition

In the work: is murdered on Macbeth's orders, but his son Fleance survives, fulfilling the witches' prophecy that Banquo's line will produce kings

Macduff

Who: a Scottish nobleman, Thane of Fife

Traits: loyal, principled and deeply devoted to Scotland; later driven by grief and righteous vengeance

In the work: flees to England to raise support against Macbeth, loses his wife and children to Macbeth's cruelty, and ultimately kills Macbeth in combat

Duncan

Who: King of Scotland at the start of the play

Traits: generous, trusting and well-regarded, perhaps too trusting of those around him

In the work: murdered by Macbeth while a guest in his castle, an act considered a profound violation of hospitality, kinship and divine order

The Three Witches

Who: supernatural figures whose prophecies set the plot in motion

Traits: ambiguous and sinister, speaking in riddles and paradoxes ('fair is foul, and foul is fair')

In the work: appear at key turning points to tempt and mislead Macbeth, raising questions about fate versus free will

Malcolm

Who: Duncan's elder son and rightful heir to the throne

Traits: cautious and wise, tests Macduff's loyalty before trusting him

In the work: flees Scotland after his father's murder but returns with an army to defeat Macbeth and is crowned king, restoring order

Themes

ambition and its corrupting power

How: Shakespeare presents unchecked ambition as a destructive force that overrides conscience and morality; Macbeth's desire for power leads him to murder, tyranny and ultimately self-destruction.

Where: Macbeth's soliloquy admitting he has 'no spur to prick the sides of my intent, but only vainaulting ambition'; the escalating murders of Duncan, Banquo and Macduff's family

guilt and conscience

How: guilt manifests psychologically and physically, through hallucinations, sleeplessness and madness, suggesting that moral transgression cannot be escaped even when undetected.

Where: Macbeth's vision of the floating dagger and Banquo's ghost; Lady Macbeth's sleepwalking scene and obsessive hand-washing

fate versus free will

How: the play questions whether Macbeth's downfall is predetermined by the witches' prophecies or caused by his own choices, suggesting the prophecies only succeed because Macbeth chooses to act on them.

Where: the witches' initial prophecies; Macbeth's active decision to murder rather than 'let chance crown me'

kingship and order

How: Shakespeare, writing for King James I, presents legitimate kingship as divinely sanctioned and usurpation as a crime against nature itself, shown through disorder in the natural world following Duncan's murder.

Where: the unnatural storms and strange events on the night of Duncan's murder; Malcolm's restoration of order at the play's end

gender and masculinity

How: the play interrogates conventional ideas of masculinity and femininity, with Lady Macbeth rejecting feminine 'weakness' to enable violence, while Macbeth equates manhood with ruthlessness.

Where: Lady Macbeth's invocation to spirits to 'unsex me here'; her taunting of Macbeth's manhood before Duncan's murder

Places

Macbeth's castles (Inverness and Dunsinane)

What it is: the Macbeths' residences, setting for Duncan's murder and later Macbeth's final stand

Meaning: represents the corruption of domestic and royal order - a place of hospitality turned into a site of betrayal and murder

The heath

What it is: a wild, desolate place outside normal society where the witches appear

Meaning: symbolises chaos, the supernatural and the breakdown of natural order that will spread into the human world

England

What it is: the court of King Edward, where Malcolm has taken refuge

Meaning: represents legitimate, divinely-sanctioned kingship and moral order, in contrast to Scotland under Macbeth's tyranny

Birnam Wood and Dunsinane

What it is: a forest and the hill where Macbeth's castle stands

Meaning: the fulfilment of the witches' seemingly impossible prophecy that Birnam Wood would come to Dunsinane symbolises the inevitability of fate and the folly of over-literal trust in prophecy

Quotations

Fair is foul, and foul is fair: hover through the fog and filthy air.
spoken by the witches in Act I, Scene I, establishing the theme of deceptive appearances from the play's opening lines
Stars, hide your fires; let not light see my black and deep desires.
Macbeth, in Act I, Scene IV, privately acknowledging his murderous ambition while publicly maintaining loyalty
Come, you spirits that tend on mortal thoughts, unsex me here.
Lady Macbeth, in Act I, Scene V, calling on supernatural forces to strip away her femininity so she can act ruthlessly
Is this a dagger which I see before me, the handle toward my hand?
Macbeth's soliloquy in Act II, Scene I, hallucinating a dagger leading him towards Duncan's murder
Will all great Neptune's ocean wash this blood clean from my hand?
Macbeth, in Act II, Scene II, immediately after murdering Duncan, overwhelmed by the permanence of his guilt
Out, damned spot! Out, I say!
Lady Macbeth in her sleepwalking scene, Act V, Scene I, obsessively trying to wash imaginary blood from her hands

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